|||Hosle offers a valuable contribution to Anglophone Rohmer scholarship, bringing his philosophical background to the thorny topic of religion and film. For readers interested in a Christian interpretation of Rohmer's films, I can warmly recommend this book; Ho
Rohmer is one of the most popular French directors of the second half of the 20th century, one of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinéma – from whose editorship he was fired when the conservative Catholic opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the phi...
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